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Featured Comics: Ramayan 3392 AD Reloaded

When I was a boy, my father used to tell me the Great Epic of Ramayana to lull me down to sleep. Now, 20 years later, having my friend discovered these great comic series is a great nostalgia. Click The Picture above to bring you the the whole series (ongoing).

1/29/2009

Final Crisis # 2

Final Crisis opens with a series of scenes depicting events across the DC Universe. Metron of the New Gods is shown at the dawn of human civilization giving Anthro the gift of fire. This touches on themes raised in Morrison's Seven Soldiers, with the origin of Aurakles,[9] which posited "the idea of the New Gods having altered human history for their own purposes.[6] This also draws on ideas Morrison put forward in his run on JLA[10] "that Earth was destined to become the cradle of a new race of 'Fifth World super-divinities."[6] The story returns to the DC Universe's present day, where private detective Dan Turpin is shown discovering the dying Orion, because, according to Morrison "[k]nowing how cosmic and epic it was going to get, I wanted to start the story at street level, with the discovery of the body of a god in the trash,"[6] and the superheroes are brought into the plot as they investigate the murder. Meanwhile, the villain Libra builds a supervillain army and kills the Martian Manhunter to prove his power. In an interview, Morrison stated that he "wanted to open with a nasty, execution-style death of a superhero as a way of demonstrating how far behind us the Silver Age is."[6] In the series' second issue, Green Lantern John Stewart is brutally attacked and Hal Jordan is framed for the attack and Orion's deicide.[11]

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Final Crisis # 1

Final Crisis opens with a series of scenes depicting events across the DC Universe. Metron of the New Gods is shown at the dawn of human civilization giving Anthro the gift of fire. This touches on themes raised in Morrison's Seven Soldiers, with the origin of Aurakles,[9] which posited "the idea of the New Gods having altered human history for their own purposes.[6] This also draws on ideas Morrison put forward in his run on JLA[10] "that Earth was destined to become the cradle of a new race of 'Fifth World super-divinities."[6] The story returns to the DC Universe's present day, where private detective Dan Turpin is shown discovering the dying Orion, because, according to Morrison "[k]nowing how cosmic and epic it was going to get, I wanted to start the story at street level, with the discovery of the body of a god in the trash,"[6] and the superheroes are brought into the plot as they investigate the murder. Meanwhile, the villain Libra builds a supervillain army and kills the Martian Manhunter to prove his power. In an interview, Morrison stated that he "wanted to open with a nasty, execution-style death of a superhero as a way of demonstrating how far behind us the Silver Age is."[6] In the series' second issue, Green Lantern John Stewart is brutally attacked and Hal Jordan is framed for the attack and Orion's deicide.[11]

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Naruto # 5

Naruto Uzumaki is a young boy who has the Nine-Tailed Demon Fox sealed within him. Twelve years before the start of the series, the Nine-Tailed Demon Fox attacked the ninja village Konohagakure, slaughtering many people. In response, the leader of Konohagakure – the Fourth Hokage – sacrificed his life to seal the demon inside Naruto when he was a newborn. Konohagakure, however, regarded Naruto as if he were the demon fox itself and mistreated him throughout most of his childhood. A decree made by the Third Hokage forbade anyone mention the attack of the demon fox to anyone. Years later, Naruto was tricked by the renegade ninja Mizuki into stealing a forbidden scroll, but was stopped by his teacher, Iruka Umino. Once he realized he was tricked, Naruto uses the Shadow Clone Technique from the scroll to defeat Mizuki. That encounter made Naruto realize he was the container of the demon fox.
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Naruto # 4

Naruto Uzumaki is a young boy who has the Nine-Tailed Demon Fox sealed within him. Twelve years before the start of the series, the Nine-Tailed Demon Fox attacked the ninja village Konohagakure, slaughtering many people. In response, the leader of Konohagakure – the Fourth Hokage – sacrificed his life to seal the demon inside Naruto when he was a newborn. Konohagakure, however, regarded Naruto as if he were the demon fox itself and mistreated him throughout most of his childhood. A decree made by the Third Hokage forbade anyone mention the attack of the demon fox to anyone. Years later, Naruto was tricked by the renegade ninja Mizuki into stealing a forbidden scroll, but was stopped by his teacher, Iruka Umino. Once he realized he was tricked, Naruto uses the Shadow Clone Technique from the scroll to defeat Mizuki. That encounter made Naruto realize he was the container of the demon fox.
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Naruto # 3

Naruto Uzumaki is a young boy who has the Nine-Tailed Demon Fox sealed within him. Twelve years before the start of the series, the Nine-Tailed Demon Fox attacked the ninja village Konohagakure, slaughtering many people. In response, the leader of Konohagakure – the Fourth Hokage – sacrificed his life to seal the demon inside Naruto when he was a newborn. Konohagakure, however, regarded Naruto as if he were the demon fox itself and mistreated him throughout most of his childhood. A decree made by the Third Hokage forbade anyone mention the attack of the demon fox to anyone. Years later, Naruto was tricked by the renegade ninja Mizuki into stealing a forbidden scroll, but was stopped by his teacher, Iruka Umino. Once he realized he was tricked, Naruto uses the Shadow Clone Technique from the scroll to defeat Mizuki. That encounter made Naruto realize he was the container of the demon fox.
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Naruto # 2

Naruto Uzumaki is a young boy who has the Nine-Tailed Demon Fox sealed within him. Twelve years before the start of the series, the Nine-Tailed Demon Fox attacked the ninja village Konohagakure, slaughtering many people. In response, the leader of Konohagakure – the Fourth Hokage – sacrificed his life to seal the demon inside Naruto when he was a newborn. Konohagakure, however, regarded Naruto as if he were the demon fox itself and mistreated him throughout most of his childhood. A decree made by the Third Hokage forbade anyone mention the attack of the demon fox to anyone. Years later, Naruto was tricked by the renegade ninja Mizuki into stealing a forbidden scroll, but was stopped by his teacher, Iruka Umino. Once he realized he was tricked, Naruto uses the Shadow Clone Technique from the scroll to defeat Mizuki. That encounter made Naruto realize he was the container of the demon fox.
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Naruto #1

Naruto Uzumaki is a young boy who has the Nine-Tailed Demon Fox sealed within him. Twelve years before the start of the series, the Nine-Tailed Demon Fox attacked the ninja village Konohagakure, slaughtering many people. In response, the leader of Konohagakure – the Fourth Hokage – sacrificed his life to seal the demon inside Naruto when he was a newborn. Konohagakure, however, regarded Naruto as if he were the demon fox itself and mistreated him throughout most of his childhood. A decree made by the Third Hokage forbade anyone mention the attack of the demon fox to anyone. Years later, Naruto was tricked by the renegade ninja Mizuki into stealing a forbidden scroll, but was stopped by his teacher, Iruka Umino. Once he realized he was tricked, Naruto uses the Shadow Clone Technique from the scroll to defeat Mizuki. That encounter made Naruto realize he was the container of the demon fox.
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1/27/2009

Transmetropolitan # 45

Transmetropolitan is a postcyberpunk comic book series written by Warren Ellis with art by Darick Robertson and published by DC Comics.[1] The series was originally part of the short-lived DC Comics imprint Helix Comics, but upon the end of the book's first year the series was moved to the Vertigo imprint as DC Comics cancelled the Helix Comics imprint. It chronicles the battles of Spider Jerusalem, infamous renegade gonzo journalist of the future,[2] a homage to gonzo journalism founder Hunter S. Thompson.

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Transmetropolitan # 44

Transmetropolitan is a postcyberpunk comic book series written by Warren Ellis with art by Darick Robertson and published by DC Comics.[1] The series was originally part of the short-lived DC Comics imprint Helix Comics, but upon the end of the book's first year the series was moved to the Vertigo imprint as DC Comics cancelled the Helix Comics imprint. It chronicles the battles of Spider Jerusalem, infamous renegade gonzo journalist of the future,[2] a homage to gonzo journalism founder Hunter S. Thompson.

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Transmetropolitan # 43

Transmetropolitan is a postcyberpunk comic book series written by Warren Ellis with art by Darick Robertson and published by DC Comics.[1] The series was originally part of the short-lived DC Comics imprint Helix Comics, but upon the end of the book's first year the series was moved to the Vertigo imprint as DC Comics cancelled the Helix Comics imprint. It chronicles the battles of Spider Jerusalem, infamous renegade gonzo journalist of the future,[2] a homage to gonzo journalism founder Hunter S. Thompson.

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Transmetropolitan # 42

Transmetropolitan is a postcyberpunk comic book series written by Warren Ellis with art by Darick Robertson and published by DC Comics.[1] The series was originally part of the short-lived DC Comics imprint Helix Comics, but upon the end of the book's first year the series was moved to the Vertigo imprint as DC Comics cancelled the Helix Comics imprint. It chronicles the battles of Spider Jerusalem, infamous renegade gonzo journalist of the future,[2] a homage to gonzo journalism founder Hunter S. Thompson.

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Transmetropolitan # 41

Transmetropolitan is a postcyberpunk comic book series written by Warren Ellis with art by Darick Robertson and published by DC Comics.[1] The series was originally part of the short-lived DC Comics imprint Helix Comics, but upon the end of the book's first year the series was moved to the Vertigo imprint as DC Comics cancelled the Helix Comics imprint. It chronicles the battles of Spider Jerusalem, infamous renegade gonzo journalist of the future,[2] a homage to gonzo journalism founder Hunter S. Thompson.

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Transmetropolitan # 40

Transmetropolitan is a postcyberpunk comic book series written by Warren Ellis with art by Darick Robertson and published by DC Comics.[1] The series was originally part of the short-lived DC Comics imprint Helix Comics, but upon the end of the book's first year the series was moved to the Vertigo imprint as DC Comics cancelled the Helix Comics imprint. It chronicles the battles of Spider Jerusalem, infamous renegade gonzo journalist of the future,[2] a homage to gonzo journalism founder Hunter S. Thompson.

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Transmetropolitan # 39

Transmetropolitan is a postcyberpunk comic book series written by Warren Ellis with art by Darick Robertson and published by DC Comics.[1] The series was originally part of the short-lived DC Comics imprint Helix Comics, but upon the end of the book's first year the series was moved to the Vertigo imprint as DC Comics cancelled the Helix Comics imprint. It chronicles the battles of Spider Jerusalem, infamous renegade gonzo journalist of the future,[2] a homage to gonzo journalism founder Hunter S. Thompson.

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Transmetropolitan # 38

Transmetropolitan is a postcyberpunk comic book series written by Warren Ellis with art by Darick Robertson and published by DC Comics.[1] The series was originally part of the short-lived DC Comics imprint Helix Comics, but upon the end of the book's first year the series was moved to the Vertigo imprint as DC Comics cancelled the Helix Comics imprint. It chronicles the battles of Spider Jerusalem, infamous renegade gonzo journalist of the future,[2] a homage to gonzo journalism founder Hunter S. Thompson.

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Transmetropolitan # 37

Transmetropolitan is a postcyberpunk comic book series written by Warren Ellis with art by Darick Robertson and published by DC Comics.[1] The series was originally part of the short-lived DC Comics imprint Helix Comics, but upon the end of the book's first year the series was moved to the Vertigo imprint as DC Comics cancelled the Helix Comics imprint. It chronicles the battles of Spider Jerusalem, infamous renegade gonzo journalist of the future,[2] a homage to gonzo journalism founder Hunter S. Thompson.

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Transmetropolitan # 36

Transmetropolitan is a postcyberpunk comic book series written by Warren Ellis with art by Darick Robertson and published by DC Comics.[1] The series was originally part of the short-lived DC Comics imprint Helix Comics, but upon the end of the book's first year the series was moved to the Vertigo imprint as DC Comics cancelled the Helix Comics imprint. It chronicles the battles of Spider Jerusalem, infamous renegade gonzo journalist of the future,[2] a homage to gonzo journalism founder Hunter S. Thompson.

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Transmetropolitan # 35

Transmetropolitan is a postcyberpunk comic book series written by Warren Ellis with art by Darick Robertson and published by DC Comics.[1] The series was originally part of the short-lived DC Comics imprint Helix Comics, but upon the end of the book's first year the series was moved to the Vertigo imprint as DC Comics cancelled the Helix Comics imprint. It chronicles the battles of Spider Jerusalem, infamous renegade gonzo journalist of the future,[2] a homage to gonzo journalism founder Hunter S. Thompson.

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Transmetropolitan # 34

Transmetropolitan is a postcyberpunk comic book series written by Warren Ellis with art by Darick Robertson and published by DC Comics.[1] The series was originally part of the short-lived DC Comics imprint Helix Comics, but upon the end of the book's first year the series was moved to the Vertigo imprint as DC Comics cancelled the Helix Comics imprint. It chronicles the battles of Spider Jerusalem, infamous renegade gonzo journalist of the future,[2] a homage to gonzo journalism founder Hunter S. Thompson.
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Transmetropolitan #33

Transmetropolitan is a postcyberpunk comic book series written by Warren Ellis with art by Darick Robertson and published by DC Comics.[1] The series was originally part of the short-lived DC Comics imprint Helix Comics, but upon the end of the book's first year the series was moved to the Vertigo imprint as DC Comics cancelled the Helix Comics imprint. It chronicles the battles of Spider Jerusalem, infamous renegade gonzo journalist of the future,[2] a homage to gonzo journalism founder Hunter S. Thompson.

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Transmetropolitan #32

Transmetropolitan is a postcyberpunk comic book series written by Warren Ellis with art by Darick Robertson and published by DC Comics.[1] The series was originally part of the short-lived DC Comics imprint Helix Comics, but upon the end of the book's first year the series was moved to the Vertigo imprint as DC Comics cancelled the Helix Comics imprint. It chronicles the battles of Spider Jerusalem, infamous renegade gonzo journalist of the future,[2] a homage to gonzo journalism founder Hunter S. Thompson.

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Transmetropolitan #31

Transmetropolitan is a postcyberpunk comic book series written by Warren Ellis with art by Darick Robertson and published by DC Comics.[1] The series was originally part of the short-lived DC Comics imprint Helix Comics, but upon the end of the book's first year the series was moved to the Vertigo imprint as DC Comics cancelled the Helix Comics imprint. It chronicles the battles of Spider Jerusalem, infamous renegade gonzo journalist of the future,[2] a homage to gonzo journalism founder Hunter S. Thompson.

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1/25/2009

100 Bullets #1

100 Bullets is an Eisner and Harvey Award-winning comic book written by Brian Azzarello and illustrated by Eduardo Risso. It is published by DC Comics under its Vertigo imprint and is slated to run for 100 issues.

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1/07/2009

Transmetropolitan # 30

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Transmetropolitan # 29

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Transmetropolitan # 28

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Transmetropolitan # 27

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Transmetropolitan # 26

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Transmetropolitan # 25

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Transmetropolitan # 24

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Transmetropolitan # 23

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Transmetropolitan # 22

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Transmetropolitan # 21

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Jim Butcher's The Dresden File: Welcome to The Jungle 4 (of 4)

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Jim Butcher's The Dresden File: Welcome to The Jungle 3 (of 4)

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Jim Butcher's The Dresden File: Welcome to The Jungle 2 (of 4)

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Jim Butcher's The Dresden File: Welcome to The Jungle 1 (of 4)

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1/06/2009

The Black Island - (1937-1938)

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Tintin: The Broken Ear - (1935-1937)

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Tintin: The Blue Lotus - (1934-1935)

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Tintin: Cigars of Pharaoh

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Tintin in America - (1931-1932)

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Tintin in the Congo - (1930-1931)

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Tintin in the Land of the Soviets - (1929-1930)

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